8/5/2023 0 Comments Janet pleasure principle![]() The video’s visual richness emerges as Jackson moves through a warehouse while dappled light defines her silhouette clothed in a now iconic pair of skinny jeans. Her dance moves, her shaggy, doobie-wrap haircut, knee pads, midriff baring, front-tied shirt, and light-washed jacket all come together to tell an enthralling story about reclaiming power from a lover after a romance gone sour. – Michael Boyce Gillespie and Lisa Uddin (Editors)įrom the moment Janet Jackson flicks on the lights in her “The Pleasure Principle” video (1987), to the time she grabs her denim jacket to leave, she is captivating. Harris on Kia LaBeija Featuring the Moon. Carpio on Atlanta ‘s “Alligator Man” episode, Charles “Chip” Linscott on Zeal and Ardor’s “Blood in the River,” Macushla Robinson on Sheila Bridges’ Tarnish, Textures Material Culture Lab on Janet Jackson’s Skinny Jeans, and Keith M. Thanks to all the contributors and special thanks to Abram Foley, editor of ASAP/J. We invite you to follow and share as new work is issued every two weeks. will run the course of summertime, when the living is (un)easy. Black visual and expressive culture and all to which it is connected is better for these queries. We circulate them as a new measure of art criticism, one keyed to the channels and frequencies of blackness, pleasure, and critical contemplation. And it conjures up the necessary intimacy generated between a critic and their object.Īs an assembly of strategies, impulses, and circuits, these pieces conduct an historiographic and aesthetic review of how blackness and the arts demand and distend. It speaks to the ongoing case for black lives and art mattering. It disputes staid frameworks of interpretation that cannot or will not account for the speculative, ambivalent, and irreconcilable ways of black forms. Using a 1000-word conceit, it references the pressures on scholars and curators to present complex discussions and formulations of blackness for public consumption, political action, and academic relevance. L to R: Detail from “Alligator Man” episode of Atlanta detail from Zeal & Ardor’s Devil is Fine album cover (2017) Sheila Bridges, Tarnish (2017) Janet Jackson (1987) detail from Kia LaBeija Featuring the Moon (2018).īlack One Shot is a series that stages brevity and precision in response to a single work of black art, contemporary and/or prescient. ![]()
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